You can go subtle or on some crazy drive, but I must say, the multi-mode filter and the serial/parallel blend knob got me from the get-go. I hook up my Vermona Mono Lancet to it and unleash some straight-up gigantic sounds! Then come the filters, they’re some of the best out there, period. I love the effects and the fact that the external input is fully processed like an oscillator. #Ryan leslie drum kit mod#I love the wavetables, where you can use the shape mod to blend different waveforms together. Let me start with the oscillators, you get so many waveforms! It’s amazing how they sound and what you can do with them. What’s one of your favorite things about it? Just saying it makes you realize how next-level this is: 15 tracks of modulation inside a mono synth. #Ryan leslie drum kit pro#Also, usually I’m not big on on-board sequencers but with the Pro 2 I can spend an entire day playing with the mind-blowing 15 tracks of modulation. I love to hook it up to my Ensoniq DP/4+ or just play it raw. The Pro 2 can sound analog or digital, whatever that means to you. “It’s my main composition tool, I do most of my synth sounds with it - basses, leads, effects… it does every monophonic sound I need. I did a session for Kanye West for The Life of Pablo and I remember feeling very inspired and in a weird train of thought, I ended up thinking “I need to buy the Pro 2 right now!” I called the store and went to pick it up. Nobody wants to buy a synth to later on sell it, it’s a terrible feeling. This doesn’t happen in a bar on the first date - you have to bring the girl home to really know what’s up. It’s like a date, you have to get intimate to really know the person. ‘Cause you know, it’s always different in a store. You can’t really vibe with the instrument and get a deep feel out of it. Then I watched all Marc Doty’s Pro 2 videos, countless times, just to make sure I was not tripping and that that synth was as good as I felt it was. When I thought about all the possibilities of the digital oscillators, the sound of the 2 powerful filters, 5 envelopes, 4 LFOs, 4 delays and pretty much endless modulations, I thought: “Is this the best mono synth ever, or what?” It was almost too good to be true. I went back to that store and jammed with the Pro 2 again and asked a lot of questions. I was looking for an inspiring instrument. I was determined to find that one piece of gear to rule them all something I could sit in front of and create new music with. Then, something like a year later, I was looking for my main synth. At that time I was not shopping for a synth, so I just kept the Pro 2 in the back of my head as something I should check later on. The Pro 2 just came out, I gave it a shot and was really impressed. I was going to pretty much every music store in New York City to try gear - from drum sets and guitar amps to mics and studio monitors. “I stumbled upon the Pro 2 when I was building Damon Dash’s music studio. We chatted with Ben about how he’s using the Pro 2. His journey into the music world led him to cross paths and work with a lot of very inspiring legends: Damon Dash, Jim Jones, Cam’ron, Juelz Santana, Dipset/Diplomats, Ryan Leslie, Ski Beatz, A-Trak, Jadakiss, Sheek Louch, Styles P, A$AP Rocky, Swizz Beatz, DJ Clark Kent, Wiz Khalifa, Philadelphia’s iconic Soul producer Bobby Eli, RZA, Raekwon, Warren G, Kanye West, Mike Dean, B-real from Cypress Hill and many more. He relocated in early 2013 to Brooklyn, to expand his career. Ben, “the Glorious Bastard,” 36 yr old beatmaker, audio engineer, sound designer and music producer, was born and raised in Paris, France.
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